PLAN B PRESS Issue
Anne Blonstein
Anne Blonstein's book is called that those lips
had language. When this manuscript arrived from Switzerland,
I was dumbfounded. I wanted to bring it out right away. Communications
with the poet had a built-in time delay but we managed to work out
the publication in 2005. Blonstein is English by birth but has been
living in Switzerland for many years and that is reflected in her
work. She insisted that we use a particular piece for her cover, a
drawing by Aloise Corbaz. Corbaz was a Swiss Outsider Artist who was
committed to an insane asylum for most of her adult life. Her work
was brought to the attention of Jean Dubuffet and was included in
his groundbreaking work on Outsider Artists. She is one of very few
acclaimed female outsider artists. Blonstein was so insistent that
we use this image that she secured permission from the Swiss institution
herself. During this period, Ann often had her titles placed at the
end of each poem, and in German. Her book is the only Plan B Press
book with prices listed in four different currencies on the back of
the book.
please may i borrow it? your guilty sky. so that
i
can paint on it an iridescent mouth to ask my
crime. i've washed my hands. they hold a black
moon. now i'm looking for a tulip envelope.
.......................it will last longer.
longer than
their middle ages. regardless of a renaissance
through a silent revolution they'll wear words
softer than theories. will: a hand-knitted
prediction.
will: a chandelier of orange music. will:
a melange of smoke. coffee. and fresh dreams.
she will find her her tympanists (fifty — take note
of ritual). intentions and pauses stretched
with blue hymens (freundinnenschaft)
Anne Blonstein was
born in 1958 in England. She studied Natural Sciences and obtained a
PhD in Genetics at Cambridge University. After seven years postdoctoral
work on plant hormones in Basel, Switzerland, she left research science
to concentrate on her writing, and now earns a living as a freelance
translator and editor. She has published The Butterflies and the
Burning (2009), memory’s morning (2008), Hairpin
Loop (2007), that those lips had language (Plan B Press,
2005), the blue pearl (Salt Publishing, 2003) and worked
on screen (Poetry Salzburg, 2004); and one chapbook: sand.soda.lime
(Broken Boulder Press, 2002). She also collaborates with the Swiss composer
Mela Meierhans, and three works have been performed since 1999: canthus
to canthus, 4S, and prelude and echo.
Published
in Volume 11, Number 3, Summer 2010.